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火遮眼2025
谢苗,林科灯,杨恩又,黎唯,岩永丞威,萨哈贾克·波斯安吉特,玛娜莎楠·潘叻翁固,郭峻卿,威奈·旺扬功,雅彦·鲁伊安,杰佳·亚宁夏天的小岛
野波麻帆,今井雅之,古屋畅一,堀口文宏我家的事
蓝苇华,高伊玲,曾敬骅,黄珮琪,朱羿铭,姚淳耀,严艺文,郑有杰96分钟：列车爆炸案
林柏宏,宋芸桦,王柏杰,李李仁,姚以缇,蔡凡熙,李铭忠,黄奇斌,吕雪凤,郑志伟,陈雪甄,巫建和,孔令元,林昀希,邹承恩重返初遇之夜
亚当·德维尼,亚历山德拉·达达里奥,雪莱·亨尼格,安德鲁·巴切勒,罗比·阿梅尔,迪恩·J·韦斯特,托尼·卡瓦勒罗,德菲亚尤·马萨利斯,克里斯·维尔德,戴恩·卡恩,小彼得·詹梅斯,马丁·巴特斯·布拉德福德,瑙伦·德沃芙,切尔西·布兰迪,亚当·亨斯利,泰内娅·因崔亚戈魔女传
山姆·克拉弗林,米克尔·福尔斯加德,安娜·吉拉多特,布莱克·里特森,Karla-Simone Spence,利诺·关恰莱,米凯莱·里翁迪诺,贾布瑞拉·派申,哈里·陶乐西,波佩·科比-特曲,尼古拉斯·莫帕斯,阿玛丽利斯·奥古斯特,杰森·巴内特,尼古拉斯·法瑞尔,John Ioannou,玛蒂娜·莱尔德,Matthew Wilson,Simone Zambelli,本·摩尔,杰瑞米·艾恩斯同类推荐
坐稳车，泰欣娜
卡蒂·奥廷宁,Kirsi Tykkyläinen,马蒂·佩龙帕这是一部寓言般，反浪漫的公路电影，男青年瓦尔特是个裁缝，每天帮着母亲缝制衣服，可是他向往外面的世界，于是他乘着母亲不备将母亲锁进屋子并偷了母亲的钱物找了一个哥们驾车兜风，在路上遇见了来旅游的泰欣娜和其女友，他们四人结伴而行，沉默寡言的两个男人和随心所欲的两个女人产生许多 戏剧冲突，他们一起住店，一起听摇滚音乐会，折腾许久以后，瓦尔特决定回家，回家后他若无其事地坐回缝纫机边继续他的裁缝生涯，仿佛一切未曾发生过。
坏继母
苏菲亚·威希涅瓦,克里斯蒂·斯旺森,罗根·霍夫曼,戴夫·戴维斯,Anthony Marble,约翰·麦康奈尔Following the sudden and mysterious death of their father, a brother and sister return home to their sprawling New Orleans estate and encounter their unhinged stepmother, who will stop at nothing to gain control of their inheritance.
小锅盖娶亲
曹随风,雷恪生,马灿灿,何琼小锅盖是张家坡村的一位普通男青年，为人忠厚老实，踏实能干。由于许多女青年离开家乡到外地或在城市成家，导致农村男青年娶不上媳妇。小锅盖曾被介绍相亲，但因为养活老人问题未能成事。 后来，媒婆又介绍了一个对象，他心里忐忑不安，硬是让好朋友岳光辉陪同去见面。意外的是，相亲对象竟是王二云的姐姐王大云。王大云虽然没有看上小锅盖，却对岳光辉动了心。小锅盖误以为王大云会来他家，准备迎接，却发现事情不如自己所料。失望之余，小锅盖决定发展养猪业，但在县城取经时却碰到了之前偷过王二云包的小偷。经过接触，小锅盖成功地引导他们走上正路，展示了他的善良和正直。
布偶秀50周年特别节目
塞斯·罗根,塞布丽娜·卡彭特,玛娅·鲁道夫,马特·沃格尔,大卫·戈尔兹,迈克林·西提,比尔·巴雷塔,Peter Linz,史黛芬妮·迪亚布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito科米蛙、猪小姐以及其他迷人的伙伴们，重返最初的布偶剧院舞台，带来全新的音乐、搞笑短剧，以及一连串的后台大乱斗。
嗨，妈妈！
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment