野人疏松
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小鬼闹非洲
Leon Schuster (I),John Matshikiza,Wilson Dunster,Terri Treas,Michelle Bowes,斯恺·斯沃里尼克,卢安·曼得斯坦,Bobo Seritsani,Mari Michael,Mbali Dladla,Julius Van Zyl,Julie Strijdom,Peter Hugo,Chris Biko,Tolla van der Merwe,Christine le Brocq,Tessa Ziegler,Nick Barklem,Mar东厂喋血
梁波罗,杜雨露,陈伟,村里,李瑛,胡玺龙,孟祥泰,洪明,马振邦,鲁云岭,王秀萍,靳维民,徐雪梅凤凰劫
丹尼斯·奎德,泰瑞斯·吉布森,吉奥瓦尼·瑞比西,米兰达·奥图,托尼·库兰,斯蒂奇·芬格茨,贾克波·瓦格斯,休·劳瑞,斯科特·迈克尔·坎贝尔,Kevork Malikyan,贾德·帕达里克,Paul Ditchfield,Martin Hindy,鲍勃·布朗,安东尼·布兰登·黄颠倒黑白
阿加塔·布泽克,克里斯提娜·杨达,安娜·波洛尼,马辛·多洛辛斯基,亚当·沃诺维茨,布罗尼斯瓦夫·弗罗茨瓦夫斯基,Lukasz Konopka,Blazej Wójcik,Jerzy Bonczak,Jacek Poniedzialek,Joachim Lamza,Olena Leonenko,马雷克·普罗博什,克拉拉·比拉瓦卡,Agata Zalecka,格泽戈兹·伊曼纽尔,Krystyna Tkacz,沃伊切赫·斯基宾斯基,Maciej Dancewicz,Jerzy Moes,Jolanta Olsz切勿擅动
唐·钱德尔,本尼西奥·德尔·托罗,马特·达蒙,大卫·哈伯,布兰登·费舍,诺亚·尤佩,茱莉娅·福克斯,基南·卡尔金,克雷格·穆姆斯·格兰特,艾米·西米茨,弗兰西斯·肖,乔恩·哈姆,Tina Gloss,雷·利奥塔,拜伦·鲍尔斯,比尔·杜克,Lucy Holt,Katherine Banks,Claudia Russell,Lauren Rys Martin杀死汝伴
尼古拉斯·霍尔特,艾德·斯克林,汤姆·莱利,詹姆斯·柯登,罗姗娜·阿奎特,克雷格·罗伯兹,乔治雅·金,约瑟夫·马勒,莫里兹·布雷多,布隆森·韦伯,吉姆·皮多克,黛博拉·罗桑,爱德华·霍格,戴米恩·莫隆尼,阿尔·韦弗,大卫·艾弗里炊达萨米一家：棒打鸳鸯
Khanyi Mbau,Ayanda Borotho,Jesse Suntele同系列推荐
伊凡雷帝
尼古拉·切尔卡索夫,Lyudmila Tselikovskaya,Serafima Birman,米哈伊尔·纳兹瓦诺夫,米哈伊尔·扎罗夫,Amvrosi Buchma,米哈伊尔·库兹涅佐夫,帕维尔·卡道奇尼科夫,安德烈·阿布里科索夫,Maksim Mikhajlov,弗拉基米尔·巴拉瑟夫,弗谢沃罗德·普多夫金,谢苗·铁木辛哥,Aleksandr Rumnyov严密监视的列车
瓦茨拉夫·内茨卡,约瑟夫·索姆尔,伏拉基米尔·布劳德斯基,弗拉迪米尔·瓦伦塔,阿洛伊斯·瓦赫克,费迪南德·克鲁塔,Jitka Scoffin,伊特卡·泽莱诺霍尔斯卡,Nada Urbánková,Libuse Havelková,科维塔·菲亚洛娃,Pavla Marsálková,米拉达·耶日科娃,Zuzana Minichova,Václav Fiser,Karel Hovorka,耶里·柯达特,法兰提塞·哈萨克,弗拉迪米尔·赫拉巴内克,Vratislav Blazek,伊日·哈莱克,Václav Ko走在战争前面
李默然,李龙吟,唐国强,张少力,高扬,刘润成,宝珣,宋业民,王同乐,白洁余生多指教
李源冰,李冠一番石榴岛
蕾哈娜,唐纳德·格洛弗,利蒂希娅·赖特,侬索·阿诺斯一吻定江山
德鲁·巴里摩尔,大卫·阿奎特,莉莉·索博斯基,约翰·C·赖利,杰西卡·阿尔芭,詹姆斯·弗兰科,迈克尔·瓦尔坦幕后花絮
嗨，妈妈！
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
怒袭
前“兵王”阿龙为寻找失踪女儿，孤身潜入血腥犯罪园区。从诈骗园区到器官黑市，他孤身对抗整个血腥系统，直到与幕后Boss昆麦展开最终决战……